WE WERE LEFT ALONE A film by ADRIÁN CANOURA Adrián embarks on the Gran Sol on the ship his father sailed for more than 30 years. He seeks to understand the silence and distance that marked them. In the middle of the sea, between routines and waves, they find the moment to be close. And finally, he dares to say what he always kept silent: I love you.

Title: WE WERE LEFT ALONE (FOMOS FICANDO SÓS)

Running time: 82 min.

Colour: Colour

Shooting format: Digital

Language: Galician

Production country: Spain

Production: Zeitun Films

Year: 2025

With Raúl Canoura

Director: Adrián Canoura

Scriptwriters: Aldara Pagán, Adrián Canoura

Cinematographer: Arancha Brandón

Editor: Iria Silvosa

Music: Anxo R. Ferreira

Sound design: Anxo R. Ferreira

Art Directos: Carmen Triñanes

Visual effects: Marta Verde

Producers: Brais Romero Suárez, Felipe Lage Coro

FESTIVALS AND AWARDS

IDFA – International Documentary Film Festival Amsterdam

Director's Notes

When I found in the attic the old recordings my father had made in the 1980s and 90s, something stirred inside me. It wasn’t just the power of memory, but a kind of calling: the desire to return to those images, to experience them from within. I felt that there was still something to tell… something that had to do with the sea, with the craft, with our relationship as father and son.

For a long time I didn’t know where to begin. I had loose intentions, fragments of ideas, and feelings that never fully took shape. Until a nearly magical situation arose: embarking with my father on the Gran Sol. Without a plan, without a script, I didn’t think too much. I had to go. I had to live what he had lived. Only then could I tell this story. I let myself be guided by an inner force, an intuition that came from deep within, from the heart, from the gut. And that’s how I decided to make the journey. To look, to feel, to understand. And to tell.

At sea, I discovered an immense stage, not only a physical place but also an emotional space, one of endurance. The solitude of men became visible, almost cosmic, and the bodies moved at the limit between craft and ritual. My father’s boat became the only possible stage. On it sailed not only the crew, but also the emotional scars of generations of seafarers. Time, silence, emptiness… All that which is unspoken, yet weighs heavily. And among them, my father. And I, observing.
The film was born from that experience. But also from an aesthetic and ethical commitment: to work with multiple formats, with domestic archives, with analog and digital material. I have always understood cinema as a place where languages and mediums dialogue, a confluence where the real and the dreamlike can coexist. Here I didn’t want to illustrate a story, but to build a way of being, of enduring, of seeing.
The sea is present in every frame, but also in every absence. It is not just the context: it is the fissure, the reflection, the magnitude. A space that separates and unites. A space that also speaks of me.

This is not just a film. It is an initiatory journey. A way of understanding who I am, where I come from, and where I am going.

Fomos Ficando Sós is that: a personal and cinematic journey. An attempt to understand my relationship with the sea, with my father, with the emotional legacy of work. And also a search for a distinct, personal way of seeing.

Thank you for accompanying me on this journey.

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